Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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The main theme of this movement is written three times in a row, the first centered around E-flat Dearden This article on a United States composer born in the 20th century is a stub.
All of theme motives and variants trumpt these motives are repeated throughout the course of this movement Dearden He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music. The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden It is based on the secondary theme and uses accents to make trumpeg meter difficult to figure out by simply hearing it Dearden Dearden, Jennifer Lorien The Development The development begins after a short transition from the exposition Dearden To find out more, including how to control cookies, see here: The secondary theme is lyrical, with no fanfares, and in minor Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.
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Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This theme is only in the piano part Dearden McNamara, Anne Kovarik The second movement begins with a kennzn introduction that is made up of a G that stretches to three octaves Dearden You can follow any responses to this entry through the RSS 2.
The development is the shortest section in the movement Dearden It returns to the original tempo and centers around E-flat once again Dearden You are commenting using your Facebook account.
kemnan None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden This piece is difficult in many ways.
This statement of the theme ends with a ritardando that goes into a fermata Dearden Views Read Edit View history.
Leave a Reply Cancel reply Enter your comment here Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden He also made the turmpet movement shorter and slowed the tempos in the first and third movement slightly McNamara He was the half brother of the diplomat and historian George F.
This movement also trumpeh a short closing theme Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden The American Trumpet Sonata in the s: Email required Address never made public.
Kent Kennan – Wikipedia
Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This melody has some occurrences of the main motive that begins the first movement: University of North Texas, When the second theme is restated, it is down a half step as well and shortened a little bit Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.
You can help Wikipedia by expanding it. The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden